Anthropologist Terence Turner coined the term ‘social skin.’ It encompassed ornaments, hairstyles, make-up, cover-ups, clothing, tattoos, piercings, and scratches, as well as bodybuilding or slimming, muscle development, and cosmetic surgery. Whether natural or artificial, extreme or seemingly whimsical, social skin was meaningful to the times people lived through and was always influenced and represented by the socialization of human behavior.

In conclusion, as demonstrated by the exhibition titled ‘Intimacy: The Moments of Social Skin,’ society was depicted as a rich tapestry woven from the diverse threads of different generations, each reflecting unique dimensions of social interaction and identity. Despite coexisting within a vast and interconnected environment, individuals often found themselves unable to fully grasp its entirety. Yet, this very incompleteness remained an integral aspect of the beauty of society, as it embodied the intricate rhythm of human existence and interaction.

Within this intricate web, images served as invaluable artifacts of what could be termed ‘futuring typology’—capturing not only moments frozen in time but also hinting at the potential trajectories of our collective future. Through the narrative use of video imagery, Taiwanese artists who participated in this exhibition offered poignant insights into the nuances of regional and global development, particularly in the realms of pluralism and social status.

As viewers drew closer to these depictions, they found themselves increasingly immersed in the authenticity they conveyed, forging deeper connections with the realities portrayed. Thus, by bearing witness to, portraying, and memorializing these pivotal moments, the exhibition contributed to a richer understanding of the complex interplay between individuals, societies, and the evolving landscapes of our shared world.