General Program
3 Punts Galeria. Barcelona
Gerard Mas
“Guardian”
2018
Burned wood and glass.
103x27x41cm.
Addaya. Alaró, Palma de Mallorca
Tamara Arroyo “Año 59 de la Revolución” 2017. Enameled iron
of 220x167cm.
ADN Galeria. Barcelona
Pep Vidal, Untitled (detail) pen on paper. 112×82 cm .
Ana Mas Projects. Barcelona
Derrumbe III, 2018. Oil on linen, 35×28 cm
Àngels Barcelona. Barcelona
Lúa Coderch “I need”. Sore throat, 2018. Framed digital color
print, tinted glass. Vynil audio “We can still be friends” (2018), 18
min. 70×50 cm. Ed 3.
Breve. CDMX
Natalia Fernández
Paisaje anatómico 7 (o 9)
23 x 30.5 cm
técnica mixta sobre papel
2018
Double V. Marseille
Reenactment 231 (blue), 2016. Tirage pigmentaire. 101 x 80 cm Edition 2/3. Courtesy the Artist & PIECE A PART project.
Espacio Pla. Buenos Aires
HERNAN SORIANO. El beso de Catalina II con Pedro el Grande.
Drawing and assembly. 47x62cm. 2016
Espacio Valverde. Madrid
Bodybuilding IV, Alfredo Rodríguez. 100 x 70 cm. Silver gelatin
and acrylic resin on wood. 2018.
Espai Tactel. Valencia
Christto & Andrew “Reality Needs an Observer”, 2018. PVC Print,
mounted on scaffolding. 130×100 cm. Ed. 1/3 + 2AP
Espositivo. Madrid
Une épaisseur de signes libres, 2018. Collage of remains of ancient
scenography on wall.
ESTHER GATÓN
MANILLAR, 2018, 2018
Extruded polystyrene, polyurethane and paint
34 x 24 x 27 cm
Esther Gatón
POMO 3 (Giro, cuello, movimiento de cabeza, desdén), 2018
Extruded polystyrene, modeling paste and paint.
75 x 14 x 24 cm
Galería Alegría. Madrid
Jorge Diezma “Arellano” 2017. Oil on canvas. 124×91 cm.
Galería Heinrich Ehrhardt. Madrid
Guillermo Pfaff “OR_M03” 2018. Acrylic on canvas. 200x165cm.
Galería Rafel Ortiz. Sevilla, Madrid.
José Miguel Pereñíguez “Los estoicos” 2017. Felt and wood.
120x75cm.
Galerie Iragui. Moscow
Olga Bozhko. Hydra (detail). 2016. Acrylic yarn with lurex, light
garland. Height 190 cm. Courtesy Olga Bozhko & Galerie Iragui
Galerie Rolando Anselmi. Berlin, Rome
Ewa Juszkiewicz, 2018, Untitled, oil on canvas, 80x60cm
Galleria FuoriCampo. Siena
Oscar Abraham Pabòn. Boundary problems. 36 clay blocks.
1.98×1.70 cm.
Goldberg Galerie. Munich
Exhibition View “Break of Day” at Goldberg Galerie, Munich in February
2018.
Granada Gallery. Buenos Aires
Verónica Calfat, Cabeza de chancho, 2017. Oil on cloth. 100x80cm.
Last Resort. Copenhagen
Printed silk, steel
MAAB Gallery. Milan
Axel Lieber, Short cuts, 2007-2010, fragments of furnitures,
variable dimensions.
Pabellón 4 Arte Contemporáneo. Buenos Aires
48_08. 2017. Plicated paper. 70x70cm.
Pantocrátor Gallery. Suzhou
White marble, travertine marble and epoxy resin. 20,5×6,6×3 cm.
Ice cream (from the series “con la Comida no se juega”) 2018.
Rafael Pérez Hernando
Regine Schumann, color satin and glow after madrid, 2018, Polymethyl
methacrylate (acrylic glass) fluorescent. Each piece
31x15x5cm.
Ribot. Milan
Painting – Corrado Levi, Schizzi per nudi, 2016, pen on canvas,
80x60cm. Sculpture – Oren Pinhassi, Towel Snake I, 2017, towel,
plaster, 21×26.5×28.5cm
Rincón Projects. Bogotá
Oskar Romo, De la Serie Las Terroristas. Mixed on Canvas. 23×23 cm apron. 2016
RocioSantaCruz. Barcelona
Julia Llerena, La escritura y la diferencia, Installation. Objects
found on wood shelves, 225x540x5 cm (detail).
SGR. Bogotá
Mauricio Salcedo “Peripheral Integrations” Assambly And Masonry
(Mamposteria y ensamble a escala) 150x75x50cm. 2018
The Drawing Room. Manila
Kiko Escora “Kiss” 2017. Charcoal and acrylic on canvas.
183×183 cm.
Dex Fernandez
Ayun
Mixed media
59.5 x 40 cm
2011
The Gallery Apart. Roma
Sinae Yoo,Shadow Theater, 2016. Ceramic and fabric, 23x22x22cm.
Tokio Galería. Lima
Emilio Vargas Vera “Los Fuegos de Lima” 2018. Oil on protective
film. 1.80×1.40 meters.
Victor Lope. Barcelona
Leo Dorfner “THEORY” 2017. Watercolor, graphite and oil on paper.
200x145cm.
The Desert and the Cactus
321 Gallery. New York
Palm Shadow 2 (Angeles Forest, S. San Andreas), 2018
Carving and Chemigram on C-Print
Static Mount, Museum Glass, Maple Frame
21 x 17 inches, 53.34 x 43.18 cm
Unique
American Medium. New York
Silverfuck (detail),2018
ink and gouache on paper
11.7 x 16.5 in (297 x 420 mm)
Deli Gallery. New York
Lex Brown
Clay, 2018
Burlap, gravel and resin
12 x 12 x 4 in.
Dutton. New York
Alan Prazniak, Pancho and Lefty, 2018, Oil on linen, 12 x 16 in / 30.48 x 40.64 cm
False Flag. New York
Emilie GossiauxSunset, 2017
paint on cloth
60 x 96 inches
152.4 x 243.8 cm
Emilie Gossiaux
Orange Bowl, 2017
Glazed ceramic
3 x 8 x 8 inches
7.6 x 20.3 x 20.3 cm
Rawson Projects. New York
Leah Beeferman
Measures (HyrynsalmiHaukijärvi), 2017
Digital print on fabric
200x100cm / 79×39″
On Paper
55SP. Saö Paulo
Fabia Schnoor
Traças, pontos e linhas
(Cão/Leão) 2017
fineart print in cotton paper
Edition: 25
29 x 18 cm
Capa Livro – Traças, Pontos
e linhas 2017
sculpture in book cover and thread
Edition: 10
14 x 18 x 03 cm
Hugo Frasa
XXX Circulo
Serigraphy in one color, handmaid finish with pen in Canson 100% cotton
Edition: 10
66 x 48 cm
Marlene Stamm
Warercolour in paper
Year 2017
Dimensions 50 x 30 cm
ALG. Contemporary art. France
Flavia Mielnik, dream and tiger, 2017, Rosa series, acrylic painting
on silk paper, rain, sun and wind of Bogota, 60x77cm.
Galería Ángeles Baños. Badajoz
Ruth Morán. Microperforation. Black perforated paper.
31,5×24,5 cm. 2017.
Galeria NORDÉS. Santiago de Compostela
S./T. (Pompei Series) 2018. Oil and cement s/paperboard.
15×10 cm.
Ibirapi Contemporânea. Lisbon
António Faria, Untitled (Floresta #9), 2016, link flow on Fabriano
paper, 145×200 cm.
La Carbonería. Huesca
From the Gutter, Installation; intervened paper, projection,
steel plate and etching.
Set Espai d´Art
Chingsum Jessye Luk. Souvenir (CHF 1.408,60)
Billetes de tren, pegamento, cinta
8 x 6 x 6 cm
Seed
Arcade+One’s Room. Okinawa
Campur Rasa. Bali
Leandro Quintero
Digital C Print
Variable measures
Estudio 101. Bogotá
Andrés Frix Bustamante
La incipiente teoría romántica de la autoexpresión, 2018
Anudado en lana natural
50 x 75 cms
2018
Mutt Collective. New York
Gemma Gené
pink bow
oil on cut out wood board
2018
150 cm x 150 cm
Gemma Gené
wrapped lobster
chromed resin
38cm x 27cm x 10cm
2017
Katie Levinson
dynamic relationship of shapes?paper
16 x 12 inches?
2017
Nottwins. Barcelona
Insert Coin 1/100
Resina de Marmolina (una de las piezas de la instalación)
9 x 9 x 9 cms
Satélite. México
Cosmic Dragon
40x30cm
Acrilico y óleo sobre lienzo
2018
Square Projects. Londres
Wendy McLean
‘Pits’, 2017
Oil on cotton
55 x 38cm each
The Switch. Portugal
Skoya Assemat-Tessandier
Sleeping Beauty °III
acrylic on canvas (wooden stretchers + white wood floater frame), 65cm x 50cm
2017
Skoya Assemat-Tessandier
Sleeping Beauty °IX
acrylic on canvas (wooden stretchers + white wood floater frame)
65cm x 50cm
2015
MYFAF
High Gallery. Poznan
Untitled, Oil on canvas, 140×100 cm, 2017
Las Palmas. Lisbon
Nuno Ferreira, Untitled, acrylic and pastel on paper, variable dimensions,
2017.
Primeira Desordem, Low pro, neck bag, mini HD camera, buttons and glue, variable dimensions, 2018
Aires de Gameiro, Study #2, spray paint and acrylic on paper, 30 x 20 cm, 2018
Storage Capacité. Europe
Videostill of Bernhard Holaschke’s “documents”, Kunstmuseum
Solingen, 2017.
Performance
Ariadna Guiteras
Shapeless and all Shapes
How to think of a multiple voice from a situated body? of a voice that is not one, but many, not a voice, simply voice. Voice as a process of interaction, an entanglement, an accumulation of everything else. Of you, of me, of our environment, in present, past and future continuous. Like the voice of a medium through whom the dead speak, or the voice in streaming that travels without body, or the voice of your grandmother in your speech.
Bartomeu Sastre
The performance “Rehearsal for an improvised monologue” uses elements from stand-up comedy to point up dynamics and vices of the artistic context we live in, always from an ironic and self-critic viewpoint. The artist will embrace the monologuist role to speak in public about the elements that are instrinsic to the contemporary artistic practice: trends, attitudes of certain characters in the sector, power relations, dynamics, etc. This implies a reconsideration of the used elements, while utilizing one or another reference depending on what is being said and done in that moment. In this context we will find sentences such as: “Decathlon is the new fine arts store” and “There are artists taking selfies to win likes”.
El Palomar
TRANS, TRANS, TRANS, TRANS, TRANS…
A group of five trans-binary or non-binary genres will carry banners made by El Palomar with various texts related to gender diversity in the field of culture. For Swab Barcelona 2018, the five performers will be inserted between the visitors of the fair, as a feminist irruption in a festive-cultural context. At the same time, other performers will read texts in the area reserved for performances.
Julia Mariscal
«Birds-texts-waves»
This performance uses materials and personal associations that each specator is to stablish as conductive thread. It is an abstract narration, conducted by the artist around assemblies of sculptural objects that combine the fragility of the glass with the uncertainty of the proposed images.
Lolo&Sosaku
«No, No, No!» happens in a different temporal space, from which we can only see a portion, the propagation of what it is.
Victoria Macarte
PINK NOISE is a series of performative actions and interventions in space and time. PINK NOISE is a body concert in a sonic landscape. PINK NOISE is a living state of corporeality experienced live. PINK NOISE is the pink elephant in the room. PINK NOISE is a tidal wave. PINK NOISE is still life in slow motion. PINK NOISE is a twilight ballet. PINK NOISE is a tye dye t-shirt in the wind. PINK NOISE is a Rubik’s cube of pink mirrors that face each other. PINK NOISE is a portal towards a vortex of the unknown. PINK NOISE is a shift in frequency to a new paradigm. PINK NOISE is a parallel universe. PINK NOISE is the evolutive power in the persistence of erosion. PINK NOISE is order and chaos dancing. PINK NOISE is delicate anarchy. PINK NOISE is a signal that makes no sense. PINK NOISE is an aesthetic. PINK NOISE is a feeling.
PINK NOISE is a trance. PINK NOISE is body control. PINK NOISE is the slap ’n’ tickle between synapses. PINK NOISE is an amoeba amplified. PINK NOISE is the pulse that runs through pebbles. PINK NOISE is the key to deciphering the mystery sealed in stone circles. PINK NOISE is a spell to awaken cellular memory. PINK NOISE is a song for concentration, an elixir for lucid dreaming. PINK NOISE is the antidote. PINK NOISE is mother nature’s roar in a whisper. PINK NOISE is an embrace in the form of an infrasound. PINK NOISE is a subliminal exorcism of the hypercapitalist patriarchy. PINK NOISE is a weapon of mass creation. PINK NOISE is the minimal techno that will play at the zombie apocalypse after party. PINK NOISE is alkaseltzer for the brain via the ears. PINK NOISE is a line of glitter dancing like a brilliant blizzard in the spotlight of your cortex. PINK NOISE is rose magic.
Ephemeral
DUAE COLLECTIVE
DUAE- Besòs: a Noble Ecosystem. Photograph taken in prospective walks through the Besòs riverbed, 2018.
Irma Marco
Irma Marco – The void. Mural installation and audio, 2017
Julia Calvo
Julia Calvo – Installation Be Me, Nylon Ripstop and fiberglass, 2018?
Julia Gorostidi
Julia Gorostidi – Julia, Rosa, Angela and the Others After Her. Ceramic with sound. Audio: consultations with fortune-tellers, 2017.
Lara Fluxà
A_Nivellaments
Marina Rubio
Marina Rubio – Hiperobjetos, 2016
Michael Lawton
Michael Lawton, CRG. 2016
Reading
a/b Books. Switzerland
This edition will have a / b Books, a Swedish editorial proposal
that combines text, photography and collage.
Paranoia Publishing; Estonia
Paranoia Publishig is a publishing house born in Estonia
that has points in several points of the globe. The house is
committed to creating the margin of conventions, its goal is the
destruction of reality and calls itself the most abnormal product
of the contemporary art market.