United under the technique of drawing/painting, working under a diametrically opposed color palette, both artists intertwine contents around memory. Isidora takes as a starting point the perception of space, its identity and the way in which it is inhabited and tirelessly transformed based on a permanent movement of the city. The way in which the artist develops her drawings – through a work of superimposition of translucent layers – emulates the process of making memory (a transversal theme in her work) reflecting on the vulnerability of the spaces we inhabit and the way in which we build history upon history, even relegating it to oblivion.
Catalina, on the other hand, focuses on isolated memories or perceptions of a memory from a personal process of introspection and meditation that lead her to connect with personal images that touch the limit between reality and fiction; hence her images move between figuration and abstraction, referring to the way in which a memory is stored in our memory.
Their images are presented as an apparition that often crosses the border of imagination. Ambiguity is suggested in the work of both artists, tensing past and present in the same image.