Hernán Camoletto begins to draw on a notebook called “Copiador” (Copybook) that was used to generate replicas of documentation by hand. Through its pages he begins to “copy” and interpret, through error, whim and superposition, vases from the history of art. On its transparent pages, Camoletto “copies” vases from the history of art through error, whim and superposition.
Nicole Mazza explores female identity and stereotypes through her textile collages. Her distorted, grotesque and fragmented figures question the external perception and internal reality of women.
Yuyo Gardiol with “Paisaje Cercano” explores the relationship between skin and environment, creating colorful abstractions that evoke an atmosphere of intimacy and mystery. It is based on the idea that people are so permeable to the environment that even the skin can change color.